🖨️Printmaking Unit 11 – Contemporary printmaking practices
Contemporary printmaking blends traditional techniques with modern innovations. Artists use relief, intaglio, planographic, and screen printing methods alongside digital tools to create diverse works. These practices explore themes of identity, environment, and technology.
Materials range from traditional papers and inks to digital software and 3D printing. Experimental approaches push boundaries by combining techniques, using unconventional substrates, and incorporating new technologies. Artists address conceptual themes while considering environmental and ethical impacts of their practice.
Relief printing involves carving a design into a block of wood or linoleum, inking the raised surface, and transferring the image to paper (woodcut, linocut)
Intaglio techniques create recessed lines or textures on a metal plate that hold ink, which is then transferred to paper under pressure (etching, engraving, drypoint, aquatint)
Etching uses acid to create lines on a metal plate coated with an acid-resistant ground
Aquatint produces tonal areas by applying a porous ground and exposing it to acid
Planographic printing relies on the repulsion of oil and water to transfer an image from a flat surface to paper (lithography)
Lithography traditionally uses a limestone or metal plate, but modern techniques include photolithography and waterless lithography
Screen printing forces ink through a mesh screen with a stencil, allowing for bold, flat colors and layering (silkscreen, serigraph)
Monotype is a unique print created by painting or drawing on a smooth surface and transferring the image to paper
Monoprints are similar but may include repeatable elements like stencils or plates
Digital printing techniques use computer-generated images and inkjet or laser printers to create prints on various substrates
Contemporary Artists and Influences
Kiki Smith incorporates printmaking techniques into her multidisciplinary practice, exploring themes of the human body, nature, and mythology
Damien Hirst has created large-scale woodcuts and etchings featuring his iconic spot paintings and butterfly motifs
Julie Mehretu combines architectural drawings, maps, and gestural marks in her complex, layered prints
Takashi Murakami blends traditional Japanese woodblock printing with contemporary pop culture imagery in his vibrant, large-scale prints
Ellen Gallagher uses repetition, pattern, and appropriated images to address issues of race, identity, and history in her prints
Christiane Baumgartner creates monumental woodcuts based on video stills, exploring the relationship between digital media and traditional printmaking
William Kentridge incorporates printmaking techniques into his animated films, drawings, and installations, often addressing sociopolitical themes
The rise of street art and graffiti has influenced contemporary printmakers, who incorporate stencils, screen printing, and wheat pasting into their work
Materials and Tools
Traditional printmaking papers include high-quality, acid-free options like Rives BFK, Hahnemühle, and Arches
Japanese papers such as Kitakata, Gampi, and Kozo offer unique textures and translucency
Inks for printmaking are typically oil-based or water-based, with varying levels of viscosity and opacity
Akua inks are water-based and non-toxic, making them popular for studio use
Caligo Safe Wash inks are oil-based but can be cleaned up with soap and water
Printmaking presses range from small, portable etching presses to large, motorized lithography presses
Takach, Conrad, and Ettan are well-known manufacturers of professional-grade presses
Carving tools for relief printing include gouges, chisels, and knives made from high-quality steel
Flexcut, Pfeil, and Niji are popular brands among printmakers
Etching needles, burnishers, and scrapers are used for intaglio techniques, while litho crayons, tusche, and gum arabic are essential for lithography
Screen printing requires a sturdy frame, mesh fabric, and squeegees for pulling ink through the screen
Digital tools like Wacom tablets, Adobe Photoshop, and Illustrator are increasingly used for creating and manipulating images for printmaking
Digital Integration in Printmaking
Digital imaging software allows artists to create, edit, and separate color layers for multi-plate prints
Adobe Photoshop and Illustrator are widely used for their versatility and compatibility with printmaking workflows
Large-format inkjet printers can produce high-quality, archival prints on a variety of substrates, including printmaking papers
Epson, Canon, and HP offer printers suitable for fine art printmaking
CNC routers and laser cutters can be used to create precise relief blocks or stencils for screen printing
Photopolymer plates, exposed using UV light and digital transparencies, offer a faster alternative to traditional etching or lithography
Solarplates and KM plates are popular photopolymer options
Digital printing techniques can be combined with traditional methods, such as printing a digital image onto a screen-printed background or inkjet printing onto a hand-painted monoprint
3D printing has opened up new possibilities for creating matrices and combining printmaking with sculptural elements
Virtual reality and augmented reality technologies are being explored as ways to create immersive print-based installations and experiences
Experimental Approaches
Combining multiple printmaking techniques within a single work, such as a screen-printed image with etched details or a linocut with chine-collé
Printing on unusual substrates, such as fabric, wood, metal, or found objects, to create unique textures and dimensions
Incorporating non-traditional materials into the printmaking process, such as collage elements, thread, or organic matter
Exploring alternative methods of mark-making, such as using power tools, sandpaper, or unconventional drawing implements to create plates or blocks
Pushing the boundaries of scale, from miniature prints to room-sized installations
Collaborating with artists from other disciplines, such as dancers, musicians, or poets, to create interdisciplinary print-based works
Engaging with community and social practice, using printmaking as a tool for activism, education, and public participation
Experimenting with new technologies, such as conductive inks, 3D printing, or interactive digital displays, to create hybrid print-based works
Conceptual Themes in Modern Prints
Identity and representation, exploring issues of race, gender, sexuality, and cultural heritage through printed images and text
Environmental concerns, such as climate change, sustainability, and the relationship between humans and nature
Political and social commentary, using printmaking as a means of critique, protest, and raising awareness
Memory and nostalgia, evoking personal or collective histories through layered, fragmented, or repeated imagery
The digital age, examining the impact of technology on communication, perception, and the nature of the printed image
Globalization and cultural exchange, reflecting on the movement of people, ideas, and aesthetics across borders
The body and embodiment, investigating physical and psychological experiences through figurative or abstract printed forms
Language and text, incorporating written or typographic elements to explore the relationship between image and meaning
Exhibition and Presentation Strategies
Traditional gallery and museum exhibitions, showcasing prints in frames or vitrines alongside contextual information
Print portfolios and editions, allowing collectors to acquire a curated selection of works by one or more artists
Artist books and zines, integrating printmaking with book arts to create narrative or conceptual sequences
Installation-based presentations, using prints as elements within immersive, site-specific environments
Public art projects, such as printed murals, posters, or billboards, engaging with communities and urban spaces
Online exhibitions and virtual galleries, enabling global access to print-based works and facilitating digital sales and distribution
Collaborative projects and exchanges, fostering connections between printmakers and galleries, publishers, or institutions worldwide
Print fairs and festivals, providing opportunities for artists, collectors, and enthusiasts to gather, exhibit, and sell works in a dedicated setting
Environmental and Ethical Considerations
Choosing non-toxic, water-based, or plant-based inks and solvents to reduce harmful emissions and waste
Using sustainably sourced papers and substrates, such as recycled, FSC-certified, or handmade options
Implementing green studio practices, like proper ventilation, filtration systems, and waste disposal methods
Educating oneself and others about the environmental impact of printmaking materials and processes
Supporting suppliers and manufacturers who prioritize eco-friendly products and packaging
Exploring alternative matrices, such as solar plates, which minimize the use of toxic chemicals in etching
Collaborating with environmental organizations or initiatives to raise awareness and funds through print sales or exhibitions
Considering the social and ethical implications of printed imagery, such as cultural appropriation, representation, and consent
Ensuring fair compensation and credit for all collaborators involved in the printmaking process, from master printers to assistants and interns