📖Restoration Literature Unit 6 – English Language & Literary Criticism

The Restoration period in English literature, spanning 1660-1700, marked a shift from Puritan austerity to a more secular society. This era saw the rise of scientific rationalism, political instability, and British colonial expansion, all of which influenced literary themes and styles. Key authors like John Dryden, Aphra Behn, and Jonathan Swift explored themes of reason vs. emotion, satirized social norms, and challenged gender roles. The period saw the development of new genres like the comedy of manners and the novel, while emphasizing wit, elegance, and conversational tone in writing.

Historical Context

  • Restoration period in English literature spans from 1660 to 1700, following the restoration of the monarchy under Charles II after the Interregnum
  • Marked by a reaction against the strict moral and religious codes of the Puritan era, leading to a more secular and libertine society
  • Rise of scientific rationalism and empiricism influenced intellectual thought (Royal Society founded in 1660)
  • Political instability persisted with conflicts between the monarchy and Parliament (Glorious Revolution of 1688)
  • Expansion of British colonialism and trade led to increased wealth and global influence
    • East India Company established control over India
    • Slave trade expanded in the Caribbean and North America
  • Growth of London as a cultural and economic center fostered a vibrant literary scene
  • Increasing literacy rates and the popularity of coffee houses contributed to the spread of ideas and literature

Key Authors and Works

  • John Dryden, a dominant figure known for his satirical poetry ("Mac Flecknoe") and plays ("All for Love")
  • Aphra Behn, one of the first professional female writers, known for her novel "Oroonoko" and her plays ("The Rover")
    • Challenged gender norms and societal expectations through her writing
  • Samuel Pepys, whose detailed diary provides insights into Restoration society and culture
  • John Bunyan, author of the allegorical novel "The Pilgrim's Progress"
  • William Congreve, a prominent playwright known for his comedies of manners ("The Way of the World")
  • John Locke, philosopher whose works ("Two Treatises of Government", "An Essay Concerning Human Understanding") influenced Enlightenment thought
  • Jonathan Swift, satirist famous for his novel "Gulliver's Travels" and essay "A Modest Proposal"
    • Used humor and irony to critique societal issues and human nature

Literary Themes and Motifs

  • Exploration of the tension between reason and emotion, often through the lens of love and relationships
  • Satirical critiques of social norms, political corruption, and religious hypocrisy
    • Use of wit and irony to expose societal flaws
  • Libertinism and sexual freedom as a reaction against Puritan morality
  • Emphasis on the power of the individual and the pursuit of personal pleasure
  • Fascination with the exotic and the "other," reflected in the popularity of travel narratives and colonial settings
  • Themes of disguise, deception, and the gap between appearance and reality
    • Characters often engage in role-playing or masquerade
  • Exploration of the nature of identity and the self in a changing social landscape

Genre Developments

  • Rise of the comedy of manners, which satirized the behavior and customs of the upper classes (Congreve's "The Way of the World")
  • Development of the heroic drama, which featured grandiose themes and characters (Dryden's "The Conquest of Granada")
  • Emergence of the novel as a distinct literary form (Behn's "Oroonoko", Bunyan's "The Pilgrim's Progress")
    • Emphasis on realism and individual experience
  • Revival of the epic poem, often with a satirical or mock-heroic tone (Dryden's "Mac Flecknoe")
  • Popularity of the essay as a means of exploring ideas and critiquing society (Swift's "A Modest Proposal")
  • Continuation of the metaphysical poetry tradition, with an emphasis on wit and intellectual complexity (Dryden's poetry)
  • Adaptation of classical forms and themes to suit contemporary tastes and concerns

Critical Approaches

  • New Historicism: Examines literature in the context of its historical and cultural moment, considering factors such as politics, economics, and social norms
  • Feminist Criticism: Analyzes the representation of gender roles and the experiences of women in Restoration literature, particularly in the works of Aphra Behn
    • Considers how female authors challenged patriarchal norms and asserted their agency
  • Postcolonial Criticism: Explores the depiction of colonial subjects and the impact of colonialism on Restoration literature (Behn's "Oroonoko")
  • Marxist Criticism: Examines the representation of class relations and the influence of economic factors on Restoration society and literature
  • Reader-Response Criticism: Focuses on the role of the reader in constructing meaning and the ways in which Restoration texts engage with their audience
  • Psychoanalytic Criticism: Analyzes the psychological motivations and desires of characters and authors, often through the lens of Freudian theory
  • Queer Theory: Investigates the representation of non-normative sexualities and gender identities in Restoration literature

Language and Style

  • Characterized by wit, elegance, and a conversational tone that reflected the language of the upper classes
  • Use of rhetorical devices such as irony, paradox, and hyperbole to create satirical effects
    • Dryden's "Mac Flecknoe" employs hyperbolic praise to mock its subject
  • Emphasis on the art of conversation and repartee, particularly in comedies of manners
  • Incorporation of classical allusions and references to demonstrate learning and sophistication
  • Experimentation with form and meter in poetry, such as Dryden's use of the heroic couplet
  • Adaptation of prose style to suit different genres, from the introspective nature of Pepys' diary to the satirical bite of Swift's essays
  • Development of a more standardized and prescriptive approach to grammar and usage (influence of Samuel Johnson's "Dictionary of the English Language")

Cultural Impact

  • Restoration literature reflected and shaped the values and concerns of its time, serving as a mirror of societal changes
  • Contributed to the development of a more secular and skeptical worldview, challenging traditional religious and moral authorities
  • Influenced the development of the English novel and the comedy of manners as distinct literary forms
  • Provided a model for future generations of satirists and social critics, such as Alexander Pope and Henry Fielding
  • Helped to establish London as a cultural capital and center of literary production
    • Popularity of coffee houses as spaces for intellectual exchange and debate
  • Sparked debates about the role of women in society and the literary world, particularly through the works of Aphra Behn
  • Laid the groundwork for the Enlightenment emphasis on reason, individualism, and progress

Connections to Other Literary Periods

  • Reacted against the austerity and moral didacticism of Puritan literature during the Interregnum
  • Drew inspiration from the wit and sophistication of Elizabethan and Jacobean literature, particularly in the works of Shakespeare and Jonson
  • Influenced the development of 18th-century Augustan literature, which continued the emphasis on satire, wit, and social commentary (Pope, Swift)
    • Dryden's use of the heroic couplet set a standard for Augustan poetry
  • Anticipated the Romantic emphasis on individualism and the exploration of the self, particularly in the works of Pepys and Behn
  • Shared a fascination with the exotic and the "other" with later Romantic and Victorian literature (Coleridge's "Kubla Khan", Brontë's "Jane Eyre")
  • Provided a foundation for the realist novel of the 19th century through its emphasis on individual experience and social observation
  • Influenced the modernist interest in experimentation with form and the exploration of the subconscious (stream of consciousness technique)


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AP® and SAT® are trademarks registered by the College Board, which is not affiliated with, and does not endorse this website.