Louis Leroy was a French art critic best known for coining the term 'Impressionism' in his review of Claude Monet's painting 'Impression, Sunrise' in 1874. His critique, initially intended to be derogatory, highlighted the informal style and innovative techniques used by the Impressionist painters, which set them apart from traditional art. Leroy's influence extended beyond terminology, as his writings contributed to the wider recognition and eventual acceptance of the Impressionist movement.
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