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Real World Productions
Film Production Stages
Cinematography Techniques
Audio Production & Sound Design
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Screenwriting & Story Development
Production Management & Budgeting
Distribution and Marketing for Media Projects
Digital Effects & Animation
Documentary Filmmaking
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Emerging Tech in Media Production
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Real World Productions
Browse all Real World Productions Key Terms
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13th
180-degree rule
2D Compositing
2D Particle System
360-degree video
3D audio foley
3D Compositing
3d modeling
3D Particle System
4k cameras
4k resolution
4k streaming
4ps of marketing
6dof - six degrees of freedom
8th Wall Platform
A
A-Frame Framework
A/B Testing
Aac
Accents
Access controls
Accountability
Accuracy metrics
ACES (Academy Color Encoding System)
Acoustic instruments
Acoustic Space
Acoustic Treatment
Acoustic Treatments
Act Breaks
Act One Break
Act Two Climax
Action and Sports Lens Requirements
Action beats
Action Hero
Action Line
Active listening
Ad-supported model
Adaptation and Flexibility
Adapter use
Adaptive bitrate streaming
Adjustments and Optimization
Adobe
Adobe After Effects
Adobe Animate
Adobe Premiere Pro
ADR
Advanced color grading tools
Adversarial Training
Aerial cinematography
Afm
Agile
Agile methodology
Ai and automation in distribution
Ai-assisted visual effects
AIDA Model
AIFF
Alac
Albert Maysles
Algorithmic bias
Alpha channel compositing
Amazon Prime Video
Ambient light
Ambient noise
Ambient sound
Ambient sound design
Analog signals
Analog-to-digital converters
Analogous harmony
Analytics
Anamorphic lens characteristics
Andrew Scheps
Andy Serkis
Animal Welfare
Animal wranglers
Animated features
Animated textures
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About Us
About Fiveable
Blog
Careers
Testimonials
Code of Conduct
Terms of Use
Privacy Policy
CCPA Privacy Policy
Resources
Cram Mode
AP Score Calculators
Study Guides
Practice Quizzes
Glossary
Crisis Text Line
Request a Feature
Report an Issue
© 2024 Fiveable Inc. All rights reserved.
AP® and SAT® are trademarks registered by the College Board, which is not affiliated with, and does not endorse this website.
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