Jo-ha-kyū is a Japanese aesthetic principle that signifies the structure and pacing of artistic works, particularly in Noh theater. This concept breaks down performances into three distinct phases: 'jo' represents the introduction or opening, 'ha' denotes the development or elaboration, and 'kyū' signifies the rapid conclusion or climax. The application of this structure contributes to the emotional and thematic resonance of Noh plays, guiding the audience through a journey of experience.
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