🎹Music History – 1750 to 1850 Unit 2 – Enlightenment's Impact on Music

The Enlightenment profoundly shaped music in the 18th century. Composers moved away from church and aristocratic patronage, gaining creative freedom and appealing to broader audiences. This shift led to new musical forms like symphonies and string quartets. Technological advancements improved instruments and performance spaces. The era saw the rise of public concerts, virtuosic performances, and professional music criticism. These changes laid the groundwork for Romantic music and continue to influence classical music today.

Key Enlightenment Ideas

  • Emphasized reason, individualism, and skepticism of traditional authority
  • Valued progress, tolerance, constitutional government, and separation of church and state
  • Believed in the power of rational thought to improve society and advance knowledge
  • Promoted the scientific method and empirical observation over dogma and superstition
  • Encouraged a more secular worldview, challenging the dominance of religious institutions
  • Advocated for individual rights, including freedom of expression and religious tolerance
  • Fostered a belief in the potential for human perfectibility through education and self-improvement

Historical Context

  • Emerged in the late 17th and 18th centuries, primarily in Europe and North America
  • Coincided with significant political, social, and economic changes (American and French Revolutions)
  • Influenced by the Scientific Revolution and the rise of empiricism and rational inquiry
  • Occurred during a period of growing global trade and cultural exchange
  • Reflected a shift away from absolute monarchies towards more democratic forms of government
  • Took place against the backdrop of the Age of Exploration and the expansion of European empires
    • Led to increased contact with non-European cultures and ideas
  • Coincided with the rise of the middle class and the growth of urban centers

Changing Role of Musicians

  • Transitioned from being primarily employed by the church or aristocracy to working as freelance artists
  • Began to compose for public concerts and a broader audience, rather than just patrons
  • Gained greater creative freedom and autonomy in their compositions and performances
  • Became more entrepreneurial, seeking out commissions and publishing opportunities
  • Collaborated with poets, playwrights, and other artists to create new forms of musical expression
  • Increasingly viewed as artists and intellectuals, rather than mere entertainers or servants
  • Played a more active role in shaping public taste and opinion through their work

New Musical Forms and Styles

  • Emergence of the symphony as a major genre, featuring multiple movements and larger orchestras
  • Development of the sonata form, characterized by exposition, development, and recapitulation sections
  • Rise of the string quartet as a popular chamber music ensemble
  • Growth of opera as a dramatic and expressive art form, incorporating elements of theater and dance
    • Opera seria (serious opera) and opera buffa (comic opera) became distinct genres
  • Increased use of chromaticism, modulation, and dynamic contrast for emotional effect
  • Shift towards more expressive and individualistic styles of composition and performance
  • Incorporation of folk and popular music elements into classical compositions

Notable Composers and Works

  • Wolfgang Amadeus Mozart (1756-1791): Symphony No. 40, The Marriage of Figaro, Don Giovanni
  • Joseph Haydn (1732-1809): The Creation, Symphony No. 94 "Surprise", String Quartets Op. 76
  • Ludwig van Beethoven (1770-1827): Symphony No. 5, Piano Sonata No. 14 "Moonlight", String Quartet No. 14
  • Johann Sebastian Bach (1685-1750): The Well-Tempered Clavier, Brandenburg Concertos, St. Matthew Passion
    • Although Bach predates the Enlightenment, his works were influential on later composers
  • George Frideric Handel (1685-1759): Messiah, Water Music, Music for the Royal Fireworks
  • Christoph Willibald Gluck (1714-1787): Orfeo ed Euridice, Alceste, Iphigénie en Tauride

Technological Advancements

  • Improvements in instrument design and construction, such as the fortepiano and the clarinet
  • Development of the modern orchestra, with standardized instrumentation and seating arrangements
  • Advancements in music printing and publishing, allowing for wider dissemination of scores
  • Invention of the metronome, enabling more precise tempo indications in compositions
  • Refinements in the construction of concert halls and opera houses for better acoustics
  • Introduction of the conductor's baton, facilitating clearer direction of larger ensembles
  • Experimentation with new materials and manufacturing techniques for string and wind instruments

Impact on Performance Practices

  • Increased emphasis on virtuosity and technical skill in solo performances
  • Greater use of improvisation and ornamentation, particularly in cadenzas and solo passages
  • Rise of the public concert as a social and cultural event, with larger and more diverse audiences
  • Emergence of the professional music critic and the development of music journalism
  • Changes in conducting styles, with more expressive gestures and attention to interpretation
  • Shift towards more standardized tuning systems and pitch references (e.g., A=440 Hz)
  • Growing importance of music education and the establishment of conservatories and academies

Legacy and Influence

  • Laid the foundation for the Romantic era in music, which further emphasized emotion and individualism
  • Influenced the development of nationalism in music, with composers drawing on folk traditions
  • Contributed to the canonization of certain composers and works as "classical" masterpieces
  • Shaped the modern conception of the composer as an autonomous, creative genius
  • Established many of the musical forms, genres, and performance practices that continue to this day
  • Inspired later movements in music, such as Impressionism and Neoclassicism
  • Left a lasting impact on music education, theory, and criticism, as well as on wider cultural attitudes towards music and the arts


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AP® and SAT® are trademarks registered by the College Board, which is not affiliated with, and does not endorse this website.