👨🏻‍🎤European Art and Civilization – 1400 to Present Unit 8 – Expressionism & Abstract Art's Emergence

Expressionism and abstract art emerged in early 20th century Europe as reactions against traditional realism. Artists like Munch, Kandinsky, and Matisse used vivid colors, distorted forms, and emotional intensity to convey inner experiences and challenge conventions. These movements broke from objective representation, paving the way for non-representational art. Influenced by social upheavals and psychological theories, they reflected modern anxieties and expanded the boundaries of artistic expression.

Key Concepts and Definitions

  • Expressionism emphasizes subjective emotions and inner experiences over objective reality
  • Distorts forms, colors, and perspectives to evoke moods or ideas
  • Abstraction reduces subjects to basic shapes, lines, and colors
  • Non-representational art does not depict recognizable objects or scenes
  • Fauvism (wild beasts) used vivid colors and loose brushwork to express emotions
  • Cubism broke down objects into geometric shapes and multiple perspectives
  • Surrealism explored the subconscious mind and dreams through bizarre imagery
    • Automatism involved spontaneous creation without conscious control

Historical Context and Influences

  • Emerged in early 20th century Europe, particularly Germany
  • Reaction against traditional academic art and realism
  • Influenced by post-impressionism (Van Gogh, Gauguin) and symbolism
  • Shaped by social and political upheavals (World War I, industrialization)
  • Reflected anxiety, alienation, and disillusionment of modern life
  • Drew inspiration from primitive art, children's art, and art of the mentally ill
  • Influenced by Freudian theories of the unconscious mind
  • Sought to challenge bourgeois values and conventions

Pioneers and Notable Artists

  • Edvard Munch (The Scream) explored themes of anxiety and existential angst
  • Ernst Ludwig Kirchner and the Die Brücke (The Bridge) group in Germany
    • Erich Heckel, Karl Schmidt-Rottluff, and Emil Nolde
  • Wassily Kandinsky pioneered abstract art with compositions of colors and shapes
    • Believed art could express spiritual truths and evoke emotions through pure form
  • Franz Marc and the Der Blaue Reiter (The Blue Rider) group in Germany
    • August Macke and Gabriele Münter
  • Henri Matisse and the Fauves in France (André Derain, Maurice de Vlaminck)
  • Kazimir Malevich and Suprematism in Russia
  • Piet Mondrian and De Stijl movement in the Netherlands

Characteristics of Expressionist Art

  • Intense, vivid colors to convey emotions and moods
  • Distorted, exaggerated forms and perspectives
  • Rough, gestural brushwork and thick impasto
  • Simplified, flattened shapes and spaces
  • Symbolic or allegorical content expressing inner states
  • Often depicted urban scenes, landscapes, and portraits
    • Captured the alienation and anxiety of modern life
  • Conveyed a sense of dynamism, energy, and movement

Evolution of Abstract Art

  • Began with post-impressionist experiments in color and form (Cézanne, Van Gogh)
  • Cubism fragmented objects into geometric planes and multiple viewpoints
    • Analytic Cubism (1907-1912) broke down forms into facets and planes
    • Synthetic Cubism (1912-1914) introduced collage and flat, abstract shapes
  • Futurism celebrated speed, technology, and the dynamism of modern life
  • Kandinsky's abstract compositions of colors and shapes (Improvisation, Composition series)
  • Malevich's Suprematist paintings of geometric forms on white backgrounds (Black Square)
  • Mondrian's grid-based compositions of primary colors and black lines
  • Abstract Expressionism in post-World War II America (Pollock, Rothko, de Kooning)

Techniques and Mediums

  • Oil painting with thick, expressive brushwork and impasto
  • Woodcut prints with bold, simplified forms and contrasting colors
  • Collage incorporating fragments of paper, fabric, and other materials
  • Sculpture with rough, unfinished surfaces and distorted forms
    • Ernst Barlach and Wilhelm Lehmbruck in Germany
  • Stained glass with vivid colors and abstract designs (Marc, Kandinsky)
  • Mixed media combining painting, drawing, and collage elements
  • Automatism and chance procedures in Surrealism (Miró, Masson)
  • Drip painting and action painting in Abstract Expressionism (Pollock)

Impact on Modern Art

  • Broke from traditional notions of representation and beauty
  • Emphasized subjective expression over objective reality
  • Paved the way for abstract and non-representational art
  • Influenced later movements like Surrealism, Abstract Expressionism, and Neo-Expressionism
  • Expanded the boundaries of what could be considered art
    • Challenged viewers to find meaning in pure form and color
  • Reflected the psychological and spiritual concerns of the modern age
  • Contributed to the rise of art as a means of personal and political expression

Critical Reception and Legacy

  • Initially met with shock, controversy, and rejection by the public and critics
    • Seen as ugly, primitive, and incomprehensible
  • Gradually gained acceptance and influence in the art world
  • Nazis condemned Expressionism as "degenerate art" and purged it from museums
    • Many artists fled Germany or faced persecution
  • Abstract art became the dominant mode of modernism in the mid-20th century
  • Expressionism revival in the 1980s with Neo-Expressionism (Baselitz, Kiefer)
  • Continues to inspire artists exploring subjective experience and emotion
  • Key works in major museums and collections worldwide (MoMA, Guggenheim, Tate Modern)


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© 2024 Fiveable Inc. All rights reserved.
AP® and SAT® are trademarks registered by the College Board, which is not affiliated with, and does not endorse this website.