🏛️Ancient Mediterranean Classics Unit 7 – Greek Comedy: Aristophanes & Menander

Greek comedy, a vibrant theatrical tradition in ancient Athens, flourished during the 5th and 4th centuries BC. Aristophanes, the master of Old Comedy, used biting satire and fantastical plots to critique society and politics, while Menander pioneered New Comedy with realistic characters and domestic situations. These playwrights shaped Western theater, influencing Roman comedy and later dramatists like Shakespeare and Molière. Greek comedy served as a powerful form of social commentary, using humor to challenge authority and explore themes of war, gender, and class in Athenian society.

Key Figures and Playwrights

  • Aristophanes (c. 446 – c. 386 BC) considered the greatest representative of ancient Greek comedy, known for his satirical plays (The Frogs, The Birds)
  • Wrote at least 40 plays, 11 of which survive today as the only complete examples of Old Comedy
  • Menander (c. 342 – c. 290 BC) the best-known representative of Athenian New Comedy, praised for his realistic characters and social commentary
  • Influenced later Roman comic playwrights Plautus and Terence, as well as Shakespeare and Molière
  • Other notable playwrights include Cratinus, Eupolis, and Philippus, though their works survive only in fragments
    • Cratinus won first prize in the City Dionysia competition six times, defeating Aristophanes on at least two occasions
    • Eupolis known for his political satire and personal attacks on public figures, often collaborating with Aristophanes

Historical Context

  • Greek comedy developed in Athens during the 5th and 4th centuries BC, reflecting the city's democratic values and cultural innovations
  • Old Comedy (c. 480 – 380 BC) characterized by satirical attacks on public figures, fantasy plots, and bawdy humor
    • Emerged during the Peloponnesian War (431 – 404 BC) between Athens and Sparta, often critiquing wartime policies and leaders
  • New Comedy (c. 320 – 260 BC) focused on domestic situations, stock characters, and social commentary
    • Developed after Athens' defeat in the war and the collapse of its democratic system, reflecting a more apolitical and cosmopolitan society
  • Plays were performed at religious festivals honoring Dionysus, particularly the City Dionysia and Lenaea, as part of a competition between playwrights
  • Comedy served as a form of political and social critique, using humor to address contemporary issues and challenge authority

Characteristics of Greek Comedy

  • Old Comedy known for its satirical attacks on public figures, often depicting them as ridiculous caricatures
    • Plays frequently broke the fourth wall, with characters directly addressing the audience and commenting on current events
  • Featured fantastical plots and absurd situations, such as a city of birds (The Birds) or a strike by women to end a war (Lysistrata)
  • Used bawdy, sexual humor and vulgar language to provoke laughter and challenge social norms
  • New Comedy focused on domestic situations and stock characters, such as the young lovers, the cunning slave, and the stern father
    • Plots often revolved around love, marriage, and family conflicts, with a happy resolution at the end
  • Emphasized realistic characterization and social commentary, exploring themes of class, gender, and morality
  • Chorus played a reduced role compared to Old Comedy, mostly providing musical interludes and commentary on the action

Famous Plays and Plot Summaries

  • Aristophanes' "The Frogs" (405 BC) depicts the god Dionysus descending to the underworld to bring back Euripides, but ultimately choosing Aeschylus as the better tragic poet
    • Satirizes the decline of tragic drama and the moral decay of Athenian society
  • "The Birds" (414 BC) follows two Athenians who convince the birds to create a new city in the sky, ultimately challenging the gods' authority
    • Parodies Athenian imperialism and the utopian ideals of philosophers like Plato
  • "Lysistrata" (411 BC) depicts the women of Greece going on a sex strike to force their husbands to end the Peloponnesian War
    • Subversive commentary on gender roles and the absurdity of war
  • Menander's "Dyskolos" (The Grouch) (316 BC) tells the story of a misanthropic old man who tries to prevent his daughter's marriage to a poor farmer
    • Explores themes of love, class, and the importance of community
  • "Samia" (The Woman from Samos) (c. 315 BC) involves a series of misunderstandings and deceptions surrounding a young man's secret marriage and child
    • Highlights the complexities of family relationships and the consequences of dishonesty

Themes and Social Commentary

  • Greek comedy often served as a form of political and social critique, using humor to address contemporary issues and challenge authority
  • Old Comedy frequently satirized public figures and institutions, such as politicians, philosophers, and the Athenian legal system
    • Aristophanes' plays mocked the demagogue Cleon, the philosopher Socrates, and the tragic playwright Euripides, among others
  • Plays explored themes of war and peace, particularly during the Peloponnesian War, advocating for an end to the conflict
    • "Lysistrata" and "The Acharnians" (425 BC) both criticize the war and its impact on Athenian society
  • Comedies often challenged traditional gender roles and power dynamics, depicting women as intelligent, resourceful, and capable of political action
    • "Assemblywomen" (c. 392 BC) imagines a society where women take over the government and institute a form of communism
  • New Comedy focused on social commentary and the domestic sphere, exploring themes of love, marriage, and family
    • Menander's plays often depicted the struggles of ordinary people and the importance of human relationships
  • Plays also addressed issues of class and social status, with wealthy characters often portrayed as corrupt or foolish, while poor characters were sympathetic and virtuous

Theatrical Techniques and Staging

  • Greek comedies were performed in outdoor theaters during religious festivals, with a chorus of 24 men and a small number of actors playing multiple roles
  • Actors wore distinctive masks and costumes to indicate their characters, with exaggerated features and padding for comic effect
    • Masks allowed for quick changes between characters and helped project the actors' voices in the large, open-air theaters
  • Plays often incorporated music and dance, with the chorus performing songs and rhythmic movements to comment on the action
    • Some comedies, like "The Frogs," featured extended musical contests between characters
  • Stagecraft and special effects were used for comic purposes, such as the giant dung beetle in "Peace" (421 BC) or the elaborate bird costumes in "The Birds"
  • Sets were minimal, typically representing the exterior of a house or public building, with a central door for entrances and exits
    • The skene, a wooden structure behind the stage, could be used for costume changes and to represent interior spaces
  • Plays were performed in competition, with judges awarding prizes for the best productions and performances
    • Playwrights often used their comedies to comment on the judging process and appeal directly to the audience for support

Legacy and Influence

  • Greek comedy had a lasting impact on Western literature and theater, influencing later playwrights and genres
  • Roman comic playwrights, such as Plautus and Terence, adapted Greek New Comedy for Roman audiences, preserving many of Menander's plots and characters
    • Plautus' "Menaechmi" (The Twin Brothers) inspired Shakespeare's "The Comedy of Errors"
  • Renaissance and Neoclassical playwrights, such as Shakespeare and Molière, drew on the stock characters and plot devices of New Comedy
    • Shakespeare's "A Midsummer Night's Dream" and "As You Like It" feature elements of Greek comedy, such as mistaken identities and happy endings
  • The satirical spirit of Old Comedy influenced later political and social satire, from Jonathan Swift's "Gulliver's Travels" to contemporary television shows like "Saturday Night Live"
  • Greek comedy's emphasis on the absurdity of human behavior and the subversion of social norms paved the way for modern absurdist and surrealist theater
    • Playwrights like Samuel Beckett and Eugène Ionesco explored similar themes of existential crisis and the breakdown of communication
  • The study of Greek comedy continues to provide insight into ancient Athenian society, politics, and culture, as well as the enduring power of humor as a means of social commentary and critique

Fun Facts and Trivia

  • Aristophanes' play "The Knights" (424 BC) was performed with the actors wearing masks resembling contemporary politicians, including the demagogue Cleon
    • Cleon was so outraged by his portrayal that he sued Aristophanes, though the outcome of the case is unknown
  • In "The Acharnians," the protagonist Dikaiopolis makes a private peace treaty with Sparta and enjoys a luxurious feast while his fellow citizens suffer from wartime rationing
    • The play won first prize at the Lenaea festival in 425 BC, despite its controversial political message
  • Menander's plays were lost for centuries until papyrus fragments were discovered in Egypt in the late 19th and early 20th centuries
    • The first complete play, "Dyskolos," was found in 1957, shedding new light on the nature of New Comedy
  • The phrase "deus ex machina," referring to an unexpected or contrived solution to a problem, comes from the Greek comic device of a god appearing on stage to resolve the plot
    • In Menander's "The Shield," the god Chance appears at the end to ensure a happy ending for the characters
  • The Roman playwright Terence faced accusations of plagiarism for adapting Menander's plays without proper attribution
    • In the prologue to his play "The Eunuch," Terence defends himself by arguing that borrowing from Greek originals was a common practice among Roman writers
  • The philosopher Aristotle wrote a treatise on comedy, the "Poetics," which discussed the genre's origins, techniques, and social functions
    • Unfortunately, only a few fragments of this work survive, leaving many questions about his views on comedy unanswered


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AP® and SAT® are trademarks registered by the College Board, which is not affiliated with, and does not endorse this website.