Surrealism and Dada
The bride stripped bare by her bachelors, even is a pivotal artwork created by Marcel Duchamp between 1915 and 1923, symbolizing the tension between the ideal and the grotesque. This piece embodies the Dadaist ethos, questioning traditional aesthetics and conventions of art while presenting a fragmented narrative through its dual panel structure. The work also engages with nihilism, collage techniques, and forms like decalcomania to emphasize the absurdity of existence and the breakdown of societal norms.
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