George Dickie

Definition

George Dickie is a prominent American philosopher known for his contributions to the philosophy of art, particularly through his institutional theory of art. This theory posits that an artwork's status is determined by its placement within an artworld, emphasizing the roles of institutions like museums and galleries in defining what constitutes art. His ideas connect deeply with the nature of the artwork and the ontological status of art objects.

5 Must Know Facts For Your Next Test

1. George Dickie's institutional theory asserts that artworks are defined by their acceptance within the artworld rather than inherent qualities.
2. Dickie's ideas challenge traditional views that focus solely on artistic intent or intrinsic properties of artworks.
3. His work emphasizes the importance of social and cultural contexts in understanding what qualifies as art.
4. Dickie introduced the concept of 'the artworld' as a way to frame discussions about art's value and classification.
5. He argues that institutions like museums play a critical role in establishing and maintaining the standards for what is considered art.

Review Questions

• How does George Dickie's institutional theory challenge traditional definitions of art?
  • George Dickie's institutional theory challenges traditional definitions of art by shifting the focus from inherent qualities or the artist's intent to the role of social institutions in defining what is considered art. According to Dickie, an object qualifies as art not solely based on its physical attributes but by its recognition within the context of the artworld. This perspective highlights the importance of cultural consensus and institutional validation in establishing artistic value.
• In what ways do Dickie's concepts relate to the understanding of the nature of artworks?
  • Dickie's concepts relate to understanding the nature of artworks by emphasizing that artworks do not exist in isolation but are part of a larger social structure—the artworld. His institutional theory posits that an object's status as an artwork is contingent on its acceptance by art institutions and communities. This interdependence suggests that the meaning and value of artworks are shaped by societal contexts rather than fixed qualities, prompting a reevaluation of how we perceive and classify artistic creations.
• Evaluate how George Dickie's ideas about the ontological status of art objects impact contemporary discussions about art.
  • George Dickie's ideas about the ontological status of art objects significantly impact contemporary discussions by encouraging a more inclusive understanding of what constitutes art. By focusing on the role of institutions in legitimizing artworks, his theory prompts debates about authenticity, value, and accessibility in today's diverse artistic landscape. As contemporary artists challenge traditional norms and categories, Dickie's framework remains relevant, highlighting how shifts in cultural practices and institutional recognition can redefine artistic boundaries and encourage broader participation in the art discourse.

Related terms

Institutional Theory: A philosophical framework that defines art based on its relationship to the artworld and the institutions that recognize it as art.

Artworld: The network of individuals, institutions, and practices that create, exhibit, and appreciate art, shaping its meanings and values.

Aesthetic Experience: The subjective experience of engaging with art, which can involve emotional, intellectual, or sensory responses to an artwork.