Perfect Cadence: A perfect cadence is one of the most common types of cadences that creates a strong sense of resolution by ending on the tonic (I) chord.
Plagal Cadence: A plagal cadence is often referred to as the "Amen" cadence because it's commonly used at the end of hymns. It involves moving from subdominant (IV) to tonic (I) chords.
Deceptive Cadence: A deceptive cadence surprises listeners by not resolving to the expected tonic (I) chord. Instead, it resolves to a different chord, often the submediant (vi).