🥁Intro to Art Unit 6 – 18th-19th Century Art: Neoclassicism to Realism

The 18th and 19th centuries saw major shifts in art, from Neoclassicism to Realism. These movements reflected changing social and political landscapes, with artists responding to Enlightenment ideals, revolutionary fervor, and industrialization. Neoclassicism drew from ancient Greece and Rome, emphasizing reason and order. Romanticism celebrated emotion and nature. Realism focused on depicting everyday life without idealization, paving the way for modern art movements.

Key Historical Context

  • The 18th and 19th centuries marked a period of significant political, social, and cultural changes in Europe and the United States
  • The Age of Enlightenment emphasized reason, individualism, and skepticism, challenging traditional authority and religious dogma
  • The French Revolution (1789-1799) overthrew the monarchy and established a republic based on Enlightenment principles
    • Inspired by ideas of liberty, equality, and fraternity
    • Influenced political and artistic thought throughout Europe
  • The Industrial Revolution transformed economies and societies, leading to urbanization, new social classes, and changing lifestyles
  • Nationalism emerged as a powerful force, with nations seeking to assert their unique identities and cultures through art and literature
  • The Napoleonic Wars (1803-1815) reshaped the political map of Europe and had lasting cultural impacts
  • Colonialism and imperialism expanded European influence globally, exposing artists to new cultures and artistic traditions

Defining Neoclassicism

  • Neoclassicism emerged in the mid-18th century as a reaction against the ornate and elaborate Rococo style
  • Drew inspiration from the art and culture of ancient Greece and Rome, emphasizing simplicity, symmetry, and idealized beauty
  • Reflected Enlightenment values of reason, order, and moral virtue
  • Characterized by a focus on line, form, and balanced composition
  • Often depicted heroic or mythological subjects, as well as contemporary events and figures
  • Emphasized the importance of drawing and the human form, with figures often depicted in classical poses and drapery
  • Sought to educate and uplift the viewer through moral and intellectual content

Major Neoclassical Artists and Works

  • Jacques-Louis David (1748-1825)
    • Leading French Neoclassical painter
    • Known for his large-scale history paintings and portraits
    • Notable works: "Oath of the Horatii" (1784), "Death of Marat" (1793)
  • Antonio Canova (1757-1822)
    • Italian Neoclassical sculptor
    • Renowned for his elegant and idealized marble sculptures
    • Notable works: "Psyche Revived by Cupid's Kiss" (1787-1793), "Perseus with the Head of Medusa" (1804-1806)
  • Jean-Auguste-Dominique Ingres (1780-1867)
    • French Neoclassical painter
    • Known for his precise draftsmanship and smooth, enamel-like finish
    • Notable works: "Grande Odalisque" (1814), "The Apotheosis of Homer" (1827)
  • Angelica Kauffman (1741-1807)
    • Swiss Neoclassical painter
    • One of the few successful female artists of her time
    • Notable works: "Self-Portrait" (1770-1775), "Cornelia Pointing to her Children as Her Treasures" (1785)

The Romantic Movement

  • Romanticism emerged in the late 18th century as a reaction against the rationalism and order of the Enlightenment and Neoclassicism
  • Emphasized emotion, imagination, and individualism over reason and classical restraint
  • Celebrated nature, the sublime, and the exotic, often depicting dramatic landscapes and intense emotional states
  • Valued originality, spontaneity, and artistic freedom, rejecting the strict rules and conventions of Neoclassicism
  • Reflected a growing interest in national identities, folklore, and the medieval past
  • Influenced by the works of writers such as Johann Wolfgang von Goethe and William Wordsworth
  • Spread across Europe and the United States, taking on different forms and expressions in each country

Romanticism's Impact on Art

  • Painters embraced expressive brushwork, vivid colors, and atmospheric effects to convey emotion and mood
  • Landscapes became a central subject, often depicted as wild, untamed, and awe-inspiring
  • Artists explored themes of nature, the supernatural, and the inner world of the individual
  • Portraiture shifted from idealized representations to more psychologically complex and introspective depictions
  • Historical and literary subjects were reinterpreted through a Romantic lens, emphasizing drama, passion, and heroism
  • The concept of the artist as a solitary genius, driven by inspiration and imagination, gained prominence
  • Romanticism paved the way for the development of later movements such as Realism and Impressionism

The Rise of Realism

  • Realism emerged in the mid-19th century as a reaction against the idealism and emotionalism of Romanticism
  • Sought to depict the world as it appeared, without idealization or embellishment
  • Focused on everyday subjects, often from the lives of the working class and the poor
  • Reflected the social and political changes brought about by the Industrial Revolution and the rise of the middle class
  • Emphasized the importance of direct observation and the accurate representation of detail
  • Influenced by the development of photography, which provided a new standard of visual accuracy
  • Challenged traditional artistic hierarchies by elevating genre scenes and still lifes to the status of history painting
  • Paved the way for the development of later movements such as Impressionism and Social Realism

Notable Realist Artists and Paintings

  • Gustave Courbet (1819-1877)
    • French Realist painter
    • Known for his large-scale, unidealized depictions of rural life and labor
    • Notable works: "The Stone Breakers" (1849), "A Burial at Ornans" (1849-1850)
  • Jean-François Millet (1814-1875)
    • French Realist painter
    • Renowned for his dignified and monumental depictions of peasant life and labor
    • Notable works: "The Gleaners" (1857), "The Angelus" (1857-1859)
  • Honoré Daumier (1808-1879)
    • French Realist painter, sculptor, and printmaker
    • Known for his satirical and politically charged works, often critiquing contemporary society
    • Notable works: "The Third-Class Carriage" (1862-1864), "Gargantua" (1831)
  • Rosa Bonheur (1822-1899)
    • French Realist painter
    • Specialized in animal paintings, particularly horses and cattle
    • Notable works: "The Horse Fair" (1852-1855), "Ploughing in the Nivernais" (1849)

Comparing Artistic Styles

  • Neoclassicism, Romanticism, and Realism represented distinct artistic movements with different philosophical and aesthetic principles
  • Neoclassicism emphasized reason, order, and idealized beauty, drawing inspiration from ancient Greek and Roman art
    • Characterized by clear lines, balanced compositions, and classical subjects
    • Reflected Enlightenment values and a desire to educate and uplift the viewer
  • Romanticism prioritized emotion, imagination, and individualism, celebrating the sublime and the exotic
    • Characterized by expressive brushwork, vivid colors, and atmospheric effects
    • Reflected a growing interest in national identities, nature, and the inner world of the individual
  • Realism sought to depict the world as it appeared, without idealization or embellishment
    • Characterized by a focus on everyday subjects, accurate representation of detail, and direct observation
    • Reflected the social and political changes of the Industrial Revolution and the rise of the middle class
  • While each movement had its distinct features, they also influenced and overlapped with one another
    • Some artists, such as Théodore Géricault and Eugène Delacroix, combined elements of Neoclassicism and Romanticism in their work
    • The Realist emphasis on direct observation and contemporary subjects laid the groundwork for the development of Impressionism


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AP® and SAT® are trademarks registered by the College Board, which is not affiliated with, and does not endorse this website.