All Study Guides Music History – 1600 to 1750 Unit 12
🎼 Music History – 1600 to 1750 Unit 12 – Late Baroque: Galant Style & Pre-ClassicismThe Late Baroque period, spanning from 1720 to 1750, marked a transition between the complex Baroque and emerging Classical styles. This era saw a shift towards simpler melodies, homophonic textures, and more accessible musical forms, reflecting the Enlightenment's emphasis on clarity and reason.
Key figures like Bach, Handel, and Scarlatti pushed musical boundaries while embracing new trends. The galant style emerged, characterized by elegant melodies and simpler harmonies. This period laid the groundwork for Classical era innovations in form, instrumentation, and performance practices.
Key Characteristics of Late Baroque
Increased emphasis on melody and simplicity compared to earlier Baroque period
Shift towards homophonic texture with clear melody and accompaniment
Gradual transition from complex polyphony to simpler, more accessible musical forms
Rise of the galant style characterized by light, elegant, and ornamented melodies
Emergence of pre-classical elements foreshadowing the Classical era
Continued use of basso continuo but with less prominence than in early Baroque
Expansion of instrumental music genres (keyboard sonatas, concertos, symphonies)
Historical Context and Timeline
Late Baroque period spans approximately from 1720 to 1750
Coincides with the Age of Enlightenment and its emphasis on reason and clarity
Influenced by the rise of the middle class and changing musical tastes
Marked by the deaths of major Baroque composers (J.S. Bach in 1750, Handel in 1759)
Transition period between Baroque and Classical eras showcasing elements of both
Increased cultural exchange and dissemination of musical styles across Europe
Growing popularity of public concerts and music publishing
Major Composers and Works
Johann Sebastian Bach (1685-1750) - Brandenburg Concertos, Goldberg Variations, The Well-Tempered Clavier
George Frideric Handel (1685-1759) - Messiah, Water Music, Music for the Royal Fireworks
Domenico Scarlatti (1685-1757) - 555 keyboard sonatas showcasing virtuosity and innovation
Georg Philipp Telemann (1681-1767) - Tafelmusik, Paris Quartets, numerous orchestral suites
Jean-Philippe Rameau (1683-1764) - Pièces de clavecin, Castor et Pollux (opera)
Treatise on Harmony influential in establishing modern music theory
Sylvius Leopold Weiss (1687-1750) - Prominent German lutenist and composer
Development of the keyboard sonata as a solo instrumental genre
Domenico Scarlatti's single-movement sonatas influential in shaping the form
Emergence of the symphony as an extended multi-movement orchestral work
Early symphonies often derived from opera overtures (sinfonia)
Concerto genre evolves with the concerto grosso and solo concerto
Vivaldi's L'estro armonico (1711) sets the standard for the three-movement solo concerto
Opera seria dominates the operatic scene with its focus on virtuosic singing and drama
Continued development of dance suites and character pieces for keyboard
Galant Style: Features and Innovations
Emphasis on simplicity, elegance, and accessibility in contrast to Baroque complexity
Melodic lines characterized by short, periodic phrases and ornamentation
Accompaniment features alberti bass and other figurations to support the melody
Harmonic language becomes simpler and more predictable with clear cadences
Rejection of intricate counterpoint in favor of homophonic texture
Composers prioritize pleasing the audience over displaying technical skill
Galant style bridges the gap between Baroque and Classical periods
Pre-Classical Elements Emerging
Gradual shift towards the Classical style in the late Baroque period
Increased use of symmetrical phrasing and balanced musical structures
Harmonic progressions become more standardized with the use of alberti bass
Melodic lines begin to feature more conjunct motion and less ornamentation
Emergence of sonata form as a key structural principle in instrumental music
Early sonatas by Scarlatti and C.P.E. Bach pave the way for Classical sonata form
Orchestra expands in size and range with the inclusion of more wind instruments
Continued use of period instruments such as harpsichord, viola da gamba, and baroque violin
Ornamentation remains an essential aspect of performance but becomes more standardized
Improvisation still plays a role in performance, particularly in cadenzas and embellishments
Rise of the fortepiano as a precursor to the modern piano
Allows for greater dynamic range and expressive possibilities
Basso continuo practice gradually declines in favor of fully written-out accompaniments
Virtuosic instrumental technique develops, especially in keyboard and violin playing
Cultural Impact and Legacy
Late Baroque music reflects the ideals of the Enlightenment with its emphasis on clarity and simplicity
Dissemination of music through publishing and public concerts increases accessibility
Composers' reputations extend beyond their local regions, leading to international recognition
Galant style influences the early Classical composers (Haydn, Mozart) and their musical language
Late Baroque works continue to be performed and studied as part of the standard repertoire
Instrumental music gains equal footing with vocal music, setting the stage for the Classical era
Baroque aesthetic and compositional techniques inspire later composers and musical styles (Neo-Baroque)