Music History – 1600 to 1750

🎼Music History – 1600 to 1750 Unit 12 – Late Baroque: Galant Style & Pre-Classicism

The Late Baroque period, spanning from 1720 to 1750, marked a transition between the complex Baroque and emerging Classical styles. This era saw a shift towards simpler melodies, homophonic textures, and more accessible musical forms, reflecting the Enlightenment's emphasis on clarity and reason. Key figures like Bach, Handel, and Scarlatti pushed musical boundaries while embracing new trends. The galant style emerged, characterized by elegant melodies and simpler harmonies. This period laid the groundwork for Classical era innovations in form, instrumentation, and performance practices.

Key Characteristics of Late Baroque

  • Increased emphasis on melody and simplicity compared to earlier Baroque period
  • Shift towards homophonic texture with clear melody and accompaniment
  • Gradual transition from complex polyphony to simpler, more accessible musical forms
  • Rise of the galant style characterized by light, elegant, and ornamented melodies
  • Emergence of pre-classical elements foreshadowing the Classical era
  • Continued use of basso continuo but with less prominence than in early Baroque
  • Expansion of instrumental music genres (keyboard sonatas, concertos, symphonies)

Historical Context and Timeline

  • Late Baroque period spans approximately from 1720 to 1750
  • Coincides with the Age of Enlightenment and its emphasis on reason and clarity
  • Influenced by the rise of the middle class and changing musical tastes
  • Marked by the deaths of major Baroque composers (J.S. Bach in 1750, Handel in 1759)
  • Transition period between Baroque and Classical eras showcasing elements of both
  • Increased cultural exchange and dissemination of musical styles across Europe
  • Growing popularity of public concerts and music publishing

Major Composers and Works

  • Johann Sebastian Bach (1685-1750) - Brandenburg Concertos, Goldberg Variations, The Well-Tempered Clavier
  • George Frideric Handel (1685-1759) - Messiah, Water Music, Music for the Royal Fireworks
  • Domenico Scarlatti (1685-1757) - 555 keyboard sonatas showcasing virtuosity and innovation
  • Georg Philipp Telemann (1681-1767) - Tafelmusik, Paris Quartets, numerous orchestral suites
  • Jean-Philippe Rameau (1683-1764) - Pièces de clavecin, Castor et Pollux (opera)
    • Treatise on Harmony influential in establishing modern music theory
  • Sylvius Leopold Weiss (1687-1750) - Prominent German lutenist and composer

Evolution of Musical Forms

  • Development of the keyboard sonata as a solo instrumental genre
    • Domenico Scarlatti's single-movement sonatas influential in shaping the form
  • Emergence of the symphony as an extended multi-movement orchestral work
    • Early symphonies often derived from opera overtures (sinfonia)
  • Concerto genre evolves with the concerto grosso and solo concerto
    • Vivaldi's L'estro armonico (1711) sets the standard for the three-movement solo concerto
  • Opera seria dominates the operatic scene with its focus on virtuosic singing and drama
  • Continued development of dance suites and character pieces for keyboard

Galant Style: Features and Innovations

  • Emphasis on simplicity, elegance, and accessibility in contrast to Baroque complexity
  • Melodic lines characterized by short, periodic phrases and ornamentation
  • Accompaniment features alberti bass and other figurations to support the melody
  • Harmonic language becomes simpler and more predictable with clear cadences
  • Rejection of intricate counterpoint in favor of homophonic texture
  • Composers prioritize pleasing the audience over displaying technical skill
  • Galant style bridges the gap between Baroque and Classical periods

Pre-Classical Elements Emerging

  • Gradual shift towards the Classical style in the late Baroque period
  • Increased use of symmetrical phrasing and balanced musical structures
  • Harmonic progressions become more standardized with the use of alberti bass
  • Melodic lines begin to feature more conjunct motion and less ornamentation
  • Emergence of sonata form as a key structural principle in instrumental music
    • Early sonatas by Scarlatti and C.P.E. Bach pave the way for Classical sonata form
  • Orchestra expands in size and range with the inclusion of more wind instruments

Performance Practices and Instruments

  • Continued use of period instruments such as harpsichord, viola da gamba, and baroque violin
  • Ornamentation remains an essential aspect of performance but becomes more standardized
  • Improvisation still plays a role in performance, particularly in cadenzas and embellishments
  • Rise of the fortepiano as a precursor to the modern piano
    • Allows for greater dynamic range and expressive possibilities
  • Basso continuo practice gradually declines in favor of fully written-out accompaniments
  • Virtuosic instrumental technique develops, especially in keyboard and violin playing

Cultural Impact and Legacy

  • Late Baroque music reflects the ideals of the Enlightenment with its emphasis on clarity and simplicity
  • Dissemination of music through publishing and public concerts increases accessibility
  • Composers' reputations extend beyond their local regions, leading to international recognition
  • Galant style influences the early Classical composers (Haydn, Mozart) and their musical language
  • Late Baroque works continue to be performed and studied as part of the standard repertoire
  • Instrumental music gains equal footing with vocal music, setting the stage for the Classical era
  • Baroque aesthetic and compositional techniques inspire later composers and musical styles (Neo-Baroque)


© 2024 Fiveable Inc. All rights reserved.
AP® and SAT® are trademarks registered by the College Board, which is not affiliated with, and does not endorse this website.

© 2024 Fiveable Inc. All rights reserved.
AP® and SAT® are trademarks registered by the College Board, which is not affiliated with, and does not endorse this website.