⚡️Greek and Roman Comedy Unit 8 – Plautus and the Comedies of Errors
Plautus, a Roman playwright from 254-184 BCE, adapted Greek New Comedy into his own style. He wrote over 130 plays, with 20 surviving today. His works feature witty dialogue, clever wordplay, and stock characters that became staples of comic theater.
The Comedy of Errors, one of Plautus' famous plays, revolves around two sets of identical twins separated at birth. This plot device leads to mistaken identities and comic misunderstandings, showcasing Plautus' skill in crafting fast-paced, energetic stories with frequent twists.
Titus Maccius Plautus was a Roman playwright who lived from c. 254 to 184 BCE
Born in Sarsina, a small town in Umbria, Italy
Worked as a stage carpenter or scene-shifter in his early life
Began writing plays around 205 BCE and became one of the most successful and prolific playwrights of ancient Rome
Wrote over 130 plays, of which 20 have survived to modern times
His plays were mostly adaptations of Greek New Comedy, particularly the works of Menander and Diphilus
Plautus added his own unique style, humor, and Roman elements to the Greek originals
Known for his witty dialogue, puns, and clever wordplay
The Roman Comedy Scene
Roman comedy emerged in the 3rd century BCE, heavily influenced by Greek New Comedy
Performed at religious festivals and public events, such as the ludi Megalenses (Megalesian Games) and ludi Romani (Roman Games)
Plays were staged on temporary wooden structures called scaenae frons, which featured a raised stage and backdrop
Actors were all male and wore masks to indicate their character types
Music and dance were integral parts of the performances
Plautus and his contemporary Terence were the most famous Roman comic playwrights
Other notable playwrights included Caecilius Statius, Quintus Trabea, and Atilius
Key Features of Plautine Comedy
Adapted from Greek New Comedy but with a distinctly Roman flavor
Fast-paced, energetic plots with frequent twists and turns
Emphasis on witty dialogue, puns, and wordplay
Stock characters and situations (e.g., clever slaves, young lovers, strict fathers)
Frequent use of soliloquies and asides to engage the audience directly
Often set in the streets of Athens or other Greek cities
Themes of love, deception, and social commentary
Happy endings, usually involving the reunion of long-lost family members or the marriage of young lovers
The Comedy of Errors: Plot and Structure
The Comedy of Errors is one of Plautus' most famous plays, believed to have been written between 220 and 190 BCE
Adapted from Menander's play Menaechmi, with elements from another play, Amphitruo
The plot revolves around two sets of identical twins separated at birth, leading to a series of mistaken identities and comic misunderstandings
Antipholus of Syracuse and his slave Dromio arrive in Ephesus, unaware that their long-lost twins, Antipholus of Ephesus and his slave Dromio, live there
The visiting twins are mistaken for their counterparts, resulting in confusion and chaos
The play is divided into five acts, following the typical structure of Roman comedy
The action takes place in a single day and location (the streets of Ephesus), adhering to the classical unities of time and place
The play concludes with the reunification of the twins and their families
Character Types and Stock Roles
Plautine comedy features a cast of stock characters and roles, each with distinct personality traits and functions in the plot
The adulescens (young man) is usually in love with a girl and faces obstacles to their relationship
The senex (old man) is often the father of the adulescens and serves as an antagonist or source of conflict
The servus callidus (clever slave) is a central figure who helps the young lovers and devises schemes to outwit the other characters
Examples include Pseudolus in Pseudolus and Palaestrio in Miles Gloriosus
The parasitus (parasite) is a flattering and opportunistic character who attaches himself to wealthy patrons for food and money
The meretrix (courtesan) is a love interest for the adulescens, often of a lower social class
The matrona (matron) is the wife of the senex and may be a source of conflict or support for the young lovers
Language and Wordplay in Plautus
Plautus is renowned for his clever use of language, puns, and wordplay
He often employs alliteration, assonance, and rhyme to create humorous effects
Characters engage in witty exchanges and verbal sparring, showcasing Plautus' skill with dialogue
Puns and double entendres are frequent, often with sexual or scatological undertones
In Miles Gloriosus, the name Pyrgopolynices is a compound of Greek words meaning "tower," "city," and "conqueror," mocking the soldier's boastfulness
Plautus also uses Greek words and phrases to add exotic flavor and humor to his plays
He coins new Latin words and expressions, contributing to the development of the Latin language
The use of colloquial language and slang reflects the speech of ordinary Romans
Themes and Social Commentary
Plautine comedy often explores themes relevant to Roman society and everyday life
The plays frequently comment on social hierarchies, power dynamics, and the relationships between different classes
In Pseudolus, the clever slave outwits his master and the pimp, subverting traditional power structures
The role of fate and chance in human affairs is a recurring theme, with characters often attributing events to the will of the gods
The plays also touch on issues of identity, family, and belonging, as seen in the reunion of long-lost relatives in The Comedy of Errors
Plautus satirizes various aspects of Roman society, such as the military (Miles Gloriosus), the legal system (Menaechmi), and religious practices (Aulularia)
The plays often celebrate the triumph of wit and ingenuity over authority and convention
Legacy and Influence
Plautus' works had a significant impact on later Roman literature and theater
His plays were widely performed and adapted throughout the Roman period
Plautine comedy influenced the development of other comic genres, such as the Atellan farce and the mime
Roman playwrights, such as Terence, drew inspiration from Plautus' style and themes
Plautus' influence extended beyond the ancient world, inspiring Renaissance and modern authors
Shakespeare's The Comedy of Errors is a direct adaptation of Plautus' Menaechmi
Molière, Ben Jonson, and other playwrights also drew from Plautine comedy
The stock characters and situations established by Plautus became staples of comic theater and literature
Plautus' legacy is evident in the enduring popularity of his plays and their continued performance and adaptation in modern times