🏺Greek Art and Architecture – 500 to 320 BC Unit 4 – Early Greek Classical Architecture
Early Greek Classical Architecture marks a pivotal period in ancient Greek design. From 480-320 BCE, architects developed sophisticated techniques and styles that would influence buildings for centuries to come.
Key innovations included the refinement of column designs, the use of optical illusions to enhance aesthetics, and the creation of monumental structures like the Parthenon. These advancements reflected Greek ideals of harmony and proportion in architecture.
Entasis: slight convex curvature in the shaft of a column to correct optical illusion of concavity
Stylobate: top step of the crepidoma, the stepped platform on which a Greek temple stands
Crepidoma consists of three steps: stereobate (bottom), stylobate (top), and one step in between
Peripteral: a type of temple surrounded by a single row of columns on all four sides
Cella: the inner chamber of a Greek temple, typically housing a cult statue of the deity
Pronaos: the porch or vestibule at the front of a Greek temple, leading to the cella
Opisthodomos: a porch or open room at the rear of a Greek temple, sometimes used as a treasury
Pediment: the triangular gable end of a Greek temple roof, often decorated with sculpture
Historical Context and Timeline
Early Classical period (480-450 BCE) marked by the Greek victory over the Persians in the Persian Wars
Athenian Acropolis rebuilt under the leadership of Pericles during the Golden Age of Athens (460-430 BCE)
Parthenon (447-432 BCE) and other major Athenian buildings constructed as part of Pericles' building program
Peloponnesian War (431-404 BCE) between Athens and Sparta led to a decline in building activity
Late Classical period (400-323 BCE) saw a resurgence of building, particularly in the Peloponnese and Asia Minor
Conquest of Greece by Philip II of Macedon (338 BCE) and the reign of Alexander the Great (336-323 BCE) marked the end of the Classical period
Major Architectural Styles and Orders
Doric order: the earliest and simplest of the three Classical orders, characterized by sturdy, fluted columns with no base and a plain capital
Doric frieze consists of alternating triglyphs (vertical grooved blocks) and metopes (square spaces, often decorated with sculpture)
Ionic order: more slender and ornate than the Doric, with fluted columns, a base, and scrolled capitals
Ionic frieze is a continuous band of sculpture, without the division into triglyphs and metopes
Corinthian order: the most ornate of the three orders, with slender, fluted columns and elaborate capitals decorated with acanthus leaves
Temples were the most important and common type of Greek public building, typically dedicated to a deity
Other significant building types included treasuries, stoas (covered walkways), and theaters
Notable Buildings and Structures
Parthenon (Athens, 447-432 BCE): the most famous example of the Doric order, dedicated to Athena Parthenos
Designed by architects Ictinus and Callicrates, with sculpture by Phidias
Temple of Athena Nike (Athens, c. 420 BCE): a small Ionic temple on the Acropolis, known for its frieze depicting a battle between Greeks and Persians
Erechtheion (Athens, c. 420-406 BCE): an Ionic temple with a complex plan, famous for its Porch of the Caryatids
Temple of Apollo at Bassae (Peloponnese, c. 420-400 BCE): the earliest known example of the Corinthian order, designed by Ictinus
Tholos of Athena Pronaia (Delphi, c. 380-360 BCE): a circular building in the Doric order, known for its intricate stone ceiling
Construction Techniques and Materials
Primary building material was limestone, with marble used for important temples and sculptures
Pentelic marble, quarried from Mount Pentelicus near Athens, was particularly prized for its quality and luminosity
Temples were constructed using a post-and-lintel system, with columns supporting horizontal beams (architraves) and a pitched roof
Blocks were precisely cut and fitted together without mortar, using metal clamps and dowels for reinforcement
Optical refinements, such as entasis and the slight inward tilt of columns, were used to create a sense of harmony and correct visual distortions
Polychromy: the use of color on sculptures and architectural elements, often in vivid hues of red, blue, and gold
Influences and Cultural Significance
Greek architecture was influenced by earlier Mycenaean and Minoan building traditions, as well as by Egyptian and Near Eastern architecture
Classical architecture embodied Greek ideals of harmony, proportion, and beauty, reflecting the concept of "mimesis" (imitation of nature)
Temples served as the focal point of religious and civic life, housing cult statues and offerings to the gods
Panhellenic sanctuaries (Olympia, Delphi) attracted visitors from throughout the Greek world for religious festivals and athletic competitions
Public buildings (stoas, theaters) provided spaces for social interaction, commerce, and entertainment
Classical architecture symbolized the power and prestige of Greek city-states, particularly Athens during its Golden Age
Key Architects and Patrons
Pericles (c. 495-429 BCE): Athenian statesman who initiated the rebuilding of the Acropolis and other major projects
Phidias (c. 480-430 BCE): the most famous sculptor of the Classical period, who oversaw the sculptural decoration of the Parthenon
Ictinus (active 5th century BCE): architect of the Parthenon and the Temple of Apollo at Bassae
Callicrates (active 5th century BCE): architect who collaborated with Ictinus on the Parthenon and designed the Temple of Athena Nike
Mnesicles (active 5th century BCE): architect of the Propylaea, the monumental gateway to the Athenian Acropolis
Legacy and Impact on Later Architecture
Classical Greek architecture had a profound influence on the architecture of ancient Rome, which adopted and further developed the Greek orders and building types
Roman architecture (Pantheon, Colosseum) combined Greek forms with new materials and construction techniques, such as concrete and the arch
The rediscovery of Classical architecture during the Renaissance led to a revival of Greek and Roman forms in Europe and America
Neoclassical architecture (US Capitol, British Museum) drew inspiration from the principles and aesthetics of Classical Greek design
Modern architects (Le Corbusier, Mies van der Rohe) have continued to draw on the simplicity, clarity, and proportions of Greek architecture
The enduring legacy of Classical Greek architecture lies in its timeless principles of harmony, balance, and beauty, which have shaped the built environment for over two millennia