American Literature – 1860 to Present

🏜️American Literature – 1860 to Present Unit 6 – Poetry and Poetic Forms

Poetry and poetic forms are essential elements of American literature from 1860 to the present. This unit explores various styles, movements, and influential poets who shaped the literary landscape during this period. From Walt Whitman's free verse to Emily Dickinson's innovative syntax, poets pushed boundaries and experimented with form. The unit covers major movements like Modernism, the Harlem Renaissance, and Confessional poetry, examining how historical events and social changes influenced poetic expression.

Key Concepts and Definitions

  • Poetry is a form of literary art that uses aesthetic and rhythmic qualities of language to evoke meaning, emotions, and ideas
  • Verse is a single metrical line in a poetic composition, distinguished from prose by the number of syllables in each line
  • Stanza is a grouped set of lines within a poem, usually set off from other stanzas by a blank line or indentation
  • Rhyme is the repetition of syllables, typically at the end of a verse line, with similar-sounding syllables (love/dove, moon/June)
  • Meter is the rhythmic structure of a verse, composed of feet with a specific number of syllables in each foot
    • Common meters include iambic pentameter (five pairs of syllables, with stress on the second syllable) and trochaic tetrameter (four pairs of syllables, with stress on the first syllable)
  • Free verse is poetry that does not adhere to a regular meter or rhyme scheme, allowing for more flexibility in structure and expression
  • Figurative language uses words in a way that deviates from their literal meaning to convey a more complex or abstract idea (metaphors, similes, personification)
  • Imagery is the use of vivid and descriptive language to appeal to the reader's senses and create mental pictures

Historical Context and Influences

  • The American Civil War (1861-1865) had a profound impact on literature, with poets reflecting on themes of loss, sacrifice, and the nation's identity
  • The Industrial Revolution and rapid urbanization in the late 19th century influenced poets to explore the relationship between nature and technology
  • World War I (1914-1918) and the Lost Generation of writers who came of age during this period, such as Ernest Hemingway and F. Scott Fitzgerald, shaped modernist poetry
  • The Harlem Renaissance (1920s-1930s) was a cultural movement that celebrated African American art, music, and literature, with poets like Langston Hughes and Countee Cullen at the forefront
  • The Great Depression (1929-1939) and the social and economic challenges it presented were reflected in the works of poets like William Carlos Williams and Marianne Moore
  • World War II (1939-1945) and the atomic age that followed influenced poets to grapple with themes of existentialism, absurdism, and the human condition
  • The Civil Rights Movement (1954-1968) and the struggle for racial equality inspired a new generation of African American poets, such as Maya Angelou and Gwendolyn Brooks
  • Postmodernism (1960s-present) challenged traditional forms and conventions, with poets experimenting with language, structure, and meaning

Major Poetic Movements

  • Transcendentalism (1830s-1850s) emphasized the importance of nature, individuality, and spiritual experience, with poets like Ralph Waldo Emerson and Henry David Thoreau
  • Realism (1860s-1890s) sought to depict the world as it was, without idealization or romanticism, with poets like Emily Dickinson and Stephen Crane
  • Modernism (1890s-1940s) rejected traditional forms and conventions in favor of experimentation and innovation, with poets like T.S. Eliot and Ezra Pound
    • Imagism, a subset of modernism, focused on clear, concise language and vivid imagery, with poets like H.D. (Hilda Doolittle) and Amy Lowell
  • The Beat Generation (1950s) rebelled against conformity and materialism, with poets like Allen Ginsberg and Jack Kerouac embracing spontaneity and spirituality
  • Confessional poetry (1950s-1960s) explored the poet's personal experiences and emotions, often dealing with taboo subjects, with poets like Sylvia Plath and Anne Sexton
  • The Black Arts Movement (1960s-1970s) promoted African American pride and cultural identity, with poets like Amiri Baraka and Sonia Sanchez
  • Language poetry (1970s-present) focuses on the materiality of language itself, with poets like Lyn Hejinian and Charles Bernstein experimenting with syntax and meaning

Prominent Poets and Their Works

  • Walt Whitman (1819-1892) is known for his groundbreaking work "Leaves of Grass," which celebrated the individual and the American experience
    • Notable poems include "Song of Myself," "I Hear America Singing," and "O Captain! My Captain!"
  • Emily Dickinson (1830-1886) is famous for her innovative use of form and syntax, exploring themes of death, immortality, and the inner life
    • Notable poems include "Hope is the thing with feathers," "Because I could not stop for Death," and "I'm Nobody! Who are you?"
  • Robert Frost (1874-1963) is celebrated for his depictions of rural New England life and his use of colloquial language and traditional forms
    • Notable poems include "The Road Not Taken," "Stopping by Woods on a Snowy Evening," and "Mending Wall"
  • T.S. Eliot (1888-1965) is a central figure in modernist poetry, known for his complex and allusive works that explore the fragmentation of modern society
    • Notable poems include "The Love Song of J. Alfred Prufrock," "The Waste Land," and "Four Quartets"
  • Langston Hughes (1901-1967) was a key figure in the Harlem Renaissance, known for his poems that celebrate African American culture and experience
    • Notable poems include "The Negro Speaks of Rivers," "Harlem (Dream Deferred)," and "I, Too"
  • Sylvia Plath (1932-1963) is a confessional poet known for her intense and emotionally charged works that explore themes of mental illness, identity, and femininity
    • Notable poems include "Daddy," "Lady Lazarus," and "The Applicant"
  • Maya Angelou (1928-2014) is celebrated for her poems that address issues of race, identity, and social justice, often drawing on her own experiences as an African American woman
    • Notable poems include "Still I Rise," "Phenomenal Woman," and "On the Pulse of Morning"

Poetic Forms and Structures

  • Sonnet is a 14-line poem with a specific rhyme scheme, typically exploring themes of love or devotion
    • English (Shakespearean) sonnets have three quatrains and a couplet, with an ABAB CDCD EFEF GG rhyme scheme
    • Italian (Petrarchan) sonnets have an octave and a sestet, with an ABBAABBA CDECDE or ABBAABBA CDCDCD rhyme scheme
  • Villanelle is a 19-line poem with a strict repetition of certain lines and a specific rhyme scheme (ABA ABA ABA ABA ABA ABAA)
  • Haiku is a Japanese form consisting of three unrhymed lines with a 5-7-5 syllable pattern, often focusing on nature or a moment in time
  • Sestina is a complex form consisting of six six-line stanzas and a three-line envoi, with the end words of each stanza repeating in a specific pattern
  • Ode is a lyrical poem that addresses and often praises a particular subject, with an elevated and formal style
  • Elegy is a reflective poem that laments the loss of a person, place, or thing, often expressing sorrow and admiration
  • Epic is a long narrative poem that tells the story of a hero's adventures and often reflects the values and culture of a particular society
  • Prose poem is a poem written in prose form, without line breaks or a regular meter, but still employing poetic techniques and imagery

Literary Devices and Techniques

  • Metaphor is a comparison between two unlike things, suggesting that one thing is another (love is a battlefield)
  • Simile is a comparison between two unlike things using "like" or "as" (her eyes were like stars)
  • Personification is the attribution of human qualities or emotions to non-human objects or abstract ideas (the wind whispered through the trees)
  • Alliteration is the repetition of initial consonant sounds in a series of words (the slithering, slimy snake)
  • Assonance is the repetition of vowel sounds within words (the light of the fire)
  • Consonance is the repetition of consonant sounds within words (pitter-patter, chitter-chatter)
  • Onomatopoeia is the use of words that imitate the sounds they describe (buzz, hiss, whisper)
  • Hyperbole is an exaggeration or overstatement used for emphasis or effect (I've told you a million times)
  • Understatement is the presentation of something as being smaller or less important than it actually is, often for ironic effect (it's just a scratch, when referring to a serious injury)
  • Irony is the use of words to express something different from, and often opposite to, their literal meaning (saying "what a beautiful day" during a thunderstorm)
    • Verbal irony is when a speaker says one thing but means another
    • Situational irony is when the outcome of a situation is different from what was expected
    • Dramatic irony is when the audience knows something that the characters do not

Themes and Subject Matter

  • Nature and the environment, exploring the relationship between humans and the natural world, as well as the beauty and power of nature itself
  • Identity and the self, delving into questions of personal identity, self-discovery, and the search for meaning and purpose in life
  • Love and relationships, expressing the joys, sorrows, and complexities of romantic, familial, and platonic love
  • Death and mortality, grappling with the inevitability of death, the grief of loss, and the desire for immortality or legacy
  • Social and political issues, addressing topics such as race, gender, class, war, and social justice, often as a means of critique or calls for change
  • Spirituality and religion, exploring questions of faith, doubt, and the human relationship to the divine or transcendent
  • Memory and nostalgia, reflecting on the past, childhood, and the passage of time, often with a sense of longing or bittersweet remembrance
  • The human condition, examining the universal experiences, emotions, and challenges that define what it means to be human, such as suffering, joy, hope, and despair

Analysis and Interpretation Strategies

  • Close reading involves carefully examining the text, paying attention to word choice, imagery, structure, and other literary devices to uncover layers of meaning
  • Contextual analysis considers the historical, social, and cultural context in which a poem was written, and how that context shapes its meaning and significance
  • Biographical analysis looks at the poet's life experiences, influences, and personal history to shed light on the themes and ideas in their work
  • Comparative analysis examines how different poets or poems approach similar themes, forms, or techniques, highlighting similarities and differences
  • Thematic analysis identifies and traces the development of central themes throughout a poem or a collection of poems
  • Formalist analysis focuses on the poem's structure, form, and literary devices, examining how these elements contribute to the overall meaning and effect
  • Reader-response analysis considers the reader's personal reactions, interpretations, and emotional responses to a poem, acknowledging the role of the reader in creating meaning
  • Psychological analysis applies psychological theories and concepts to the interpretation of a poem, exploring the unconscious desires, fears, and motivations of the poet or the characters within the poem
  • Gender analysis examines how gender roles, stereotypes, and power dynamics are represented and challenged within a poem, often through a feminist or masculinity studies lens
  • Postcolonial analysis looks at how poems engage with issues of colonialism, imperialism, and cultural identity, often focusing on the experiences and perspectives of marginalized or oppressed groups


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© 2024 Fiveable Inc. All rights reserved.
AP® and SAT® are trademarks registered by the College Board, which is not affiliated with, and does not endorse this website.
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